
The idea for this “musical expression on the guitar” article began with an answer I gave to a question in a guitar Facebook group. The question was, “How do you improvise on the guitar in a more musical way?”
My reply was: “The key is to develop your inner voice and ear and make it a whole-body experience, which is more than just “thinking” with your fingers. It’s about connecting all the different elements and components of a musical experience.”
Then, as I gave the question some more thought (and discussed it in my group “Guitar Songwriting & Composition”), I became aware of its problematic wording. What does “more musical” mean? The intent behind the original question was probably “how to be more expressive on the guitar” or “how to play the guitar with more musical expression.”
So I thought I’d break down my answer into five effective concepts that help me and my guitar students.
Most of us sit while playing the guitar. But standing up can already make a big difference. You can then move more freely by, for example, swaying your hips and gesturing with your hands and head. This also helps you get into the rhythm and immerse yourself in your playing. This is what I meant by making it a whole-body experience. It’s like the difference between practising and performing. When you stand up, it can feel like a live gig, even if the crowd is the furniture around you. Also, sitting too much is not very healthy.
Using your voice—either your inner or actual voice—can help a lot with being more expressive on the guitar. For example, when you “scat” (sing what you play at the same time), your playing can sound more human. In other words, you will use speech-like phrases. It’s because when we speak, we say a few words, pause or take a breath, and say a few more words, and so on. When you do that with the guitar, the result can be similar. You’ll play and sing a few notes on the guitar, breathe and rest, then play and sing a few more notes, and so on.
Watch these two short videos about guitar scatting:
Playing the guitar expressively is not just about playing one phrase, the next one, and then another. Instead, think about it as a conversation between you and the guitar. It’s bi-directional. So after playing a phrase, listen to what you’ve just played before automatically playing the next one. Ask yourself, “Where does this phrase want to go?” This way, your phrases will stimulate you to respond and create other related phrases.
If you “think” too much with your fingers, your playing might sound too mechanical. For example, it can happen when you automatically play over a scale you know, like the pentatonic minor scale. Especially when repeating previously practised exercises, like scale sequences. It can be much more exciting to improvise and come up with new note combinations you’ve never tried before.
We tend to focus too much on what notes to play. But it’s equally (or even more) important to focus on how we play these notes. For instance, adding interesting dynamics and tone can be much more expressive than a constant stream of notes. This way, you can repeat the same phrase while diversifying it by playing with other elements of music.
To sum up, to play the guitar with more musical expression, think about it as a whole-body experience by standing and moving your body, singing, listening to your playing, surprising yourself with new note combinations, and focusing on other elements of music.
I’d love to hear your thoughts on this article! Comment below. Also, if you’ve implemented these concepts, it’d be great to hear how they helped you!
While working on demonstrating these ideas in a video, a new guitar tune came out. So, instead of a video that explains and shows these concepts, here’s that tune that I came up with. I thought it was important because, ultimately, the idea of musical expression on the guitar is about creating new music that excites you. Need help applying these principles to your music? Let’s have a guitar chat!
Photo of Gary Moore: Jan Reif
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